Table of Contents
| Introduction: Collecting the fragments of transformation | HTML |
| David Beer |
| The Big Bumpy Shift: Digital Music via Mobile Internet (originally published in December 2000) | HTML |
| Daniel P. Dolan |
| Technological and Social Drivers of Change in the Online Music Industry (originally published in February 2002) | HTML |
| Mark Fox |
| Giving away music to make money: Independent musicians on the Internet (originally published in August 2001) | HTML |
| Michael Pfahl |
| Music in the Age of Free Distribution (originally published in January 2002) | HTML |
| Kostas Kasaras |
| Rip, Mix, Burn: The politics of peer to peer and copyright law (originally published in August 2002) | HTML |
| Kathy Bowrey, Matthew Rimmer |
| Gifting technologies (originally published in December 2004) | HTML |
| Kevin McGee, Jörgen Skågeby |
| The Napster Music Community (originally published in November 2001) | HTML |
| Kacper Poblocki |
| Digital music and subculture: Sharing files, sharing styles (originally published in February 2004) | HTML |
| Sean Ebare |
| Grey Tuesday, online cultural activism and the mash-up of music and politics (originally published in October 2004) | HTML |
| Sam Howard-Spink |
| (originally published in May 2000) | HTML |
| Wilfred Dolfsma |
| Artists' earnings and copyright: A review of British and German music industry data in the context of digital technologies (originally published in January 2005) | HTML |
| Martin Kretschmer |
| Reflecting on the digit(al)isation of music (originally published in February 2005) | HTML |
| David Beer |
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